• Tor DRM-Free books – one year on

    In April last year Tor books announced that all their ebooks would go DRM free, that is, they would remove all copy-protection software on their products so that they were not locked to specific devices and could be copied freely by customers.

    At the time they came to the conclusion that DRM was a frustration for legitimate customers who wanted to move their purchases between devices, an extra expense for themselves to have to implement that was then passed on to their frustrated customers, and nothing but a vague nuisance for those with the tools to easily strip it out before sharing the books on torrent sites.

    And one year on…

    Protecting our author’s intellectual copyright will always be of a key concern to us and we have very stringent anti-piracy controls in place. But DRM-protected titles are still subject to piracy, and we believe a great majority of readers are just as against piracy as publishers are, understanding that piracy impacts on an author’s ability to earn an income from their creative work. As it is, we’ve seen no discernible increase in piracy on any of our titles, despite them being DRM-free for nearly a year.

    http://www.tor.com/blogs/2013/04/tor-books-uk-drm-free-one-year-later

    FYI, all my titles will always be DRM-free because after all a golden cage is still a cage, and ebook customers are savvy enough to spot this for themselves nowadays.

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  • Finally on all stores

    It’s taken a while for some of them, but POWERLESS is now in every ebook store on the Earth! The latest additions are the Sony eReader store and Google Play.

    If you’re interested, I’m close to selling 100 digital copies across all stores which is not bad for a debut book with only word-of-mouth to grease its wheels. It’s been bouncing around the top 20 Superhero Graphic Novels category since this time in March, hitting #1 for at least 5 days and is consistently in the top 20,000 in the Kindle Store overall.
    Dropping the price to 99p helped a great deal, naturally. Good thing I’m not into writing to make money! For me, it’s the number of people that read and (hopefully) enjoy my books that make it worthwhile. And of course, the more people who buy means the more cash for me to enable me to write more – it becomes one great virtuous circle :)

    Ultimately I would like to give up my day job and write full time, but for now the POWERLESS sequel is being worked on in the evenings and a few snatched lunchtimes on my laptop. Oh yes, did I mention the sequel? More info to come…

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  • no title entry linkThis entry has no title posted on March 28, 2013

    I’ve talked about piracy before but there are two recent articles that have struck a chord with me:

    - Tommy Refenes from Team Meat posted in IndieGames.com (via Gamasutra) his own thoughts about piracy, DRM and sales. If I had spent a year trying to coherently put all my thoughts on the subject together, I wouldn’t have come up with anything better than this: Apathy and Refunds are more dangerous than piracy.

    Loss due to piracy is an implied loss because it is not a calculable loss. You cannot, with any accuracy, state that because your game was pirated 300 times you lost 300 sales. You cannot prove even one lost sale because there is no evidence to state that any one person who pirated your game would have bought your game if piracy did not exist. From an accounting perspective it’s speculative and a company cannot accurately determine loss or gain based on speculative accounting.

    - And over on Techdirt, a post about an Indie film distributor who has spent $30,000 sending DMCA takedown notices to sites hosting copies of her films that is a perfect example of someone not getting, or being aware of any of the points made in the blog post above: Indie Film Distributor Spends Half Her Profits Sending DMCA Takedowns, But Is It Worth It?

    “The fact is that removing illegal options won’t generate sales. Removing a negative (“lost sale via illegal download”) doesn’t create a positive (“gained[?] sale”). It simply levels off at $0. Positive efforts will tilt that scale back towards the creators. Negative efforts max out at $0, at best.”

    So for any writers or game-makers worried about piracy, don’t be! Be more worried about people either not being aware of, or finding no reason to buy your stuff. Make them aware and give them a reason to buy.

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  • POWERLESS on sale!

    Hello again,
    Just to update you with a couple of promotions ongoing:

  • Powerless is free on Smashwords until 9th March as part of their ‘Read an ebook week’ promotion – grab it now!
  • And if you miss that, it is currently down to $0.99/£0.99 on Amazon US/UK , iTunes US/UK and Barnes & Noble
  • The other stores: Kobo and Diesel should be following suit when they get a chance to update themselves, and I’m still waiting on Sony to upload the book to their Reader store, so apologies if you’re waiting for that to happen; I’m as much in the dark as you are.

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  • I’m doing a Reddit AMA (ask me anything)

    Yep, if you click along to http://redd.it/192vid you will find I’ve got an AMA going!

    I have no idea if anyone will actually ask me anything or how long it will go on for before dropping off the first page, but I thought that since I’d learned so much about ebooks and self-publishing over the last year I might as well share some of that knowledge around. Of course you can ask me about anything else too: writing, games, HS2, cutlery storage, the choice is yours :)

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  • Powerless on Lulu

    No, not that Lulu you fools! Lulu the print-on-demand book service.

    It’s currently 25% off and you can get it here!

    By the way I have been listing my book on both Lulu and Amazon’s Createspace over the last few days.
    Lulu was an absolute breeze to set up and they list your work immediately, allowing you to add your payment details later. Createspace on the other hand I found much slower in terms of the website process, they require a ‘print check’ which takes up to 24hours and they do not allow you to list your book without first having set up your payment details. Since I have yet to get myself a business account, I can’t list and start getting sales.
    Obviously that last part is only a problem the first time you publish and only if you don’t want to pay monies into your regular accounts. Highly recommended btw to keep separate accounts for personal and business unless you fancy a tax return nightmare in a year’s time!

    Tony.

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  • Powerless now on Nook, Diesel stores

    It’s taken a while, but Powerless is trickling through to some of the other ebook stores. It arrived on Diesel quietly last week and I noticed it had appeared on the Nook store a couple of days ago.

    Diesel store
    Barnes & Noble Nook store

    It would be nice to get some notification when this happens other than having to keep searching the sites myself, but at least they are there.
    The three big sites remaining are the Kobo store, Sonys ebook store and the Apple ibook store. Sony might be another week or so while Kobo should be soon (crosses fingers) and goodness knows when it will appear on Apple devices; they run by their own rules :)

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  • Powerless is #17 on Amazon!

    Not #17 overall, that would be truly incredible :) but #17 on the top 100 paid Superhero Graphic Novels on the UK store. While not a graphic novel it was the best fit category for the book and since there are several other books listed under there too I thought I’d go for it.

    Here’s the link while it lasts and a screengrab for posterity below.

    Powerless: Amazon US, Amazon UK, Smashwords, Diesel

    powerless17onamazon_sm

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  • Self-publishing in the news

    Spotted these two articles about self-publishing on major news sites recently:

    - BBC – Do you have the right stuff to be a novelist
    - Guardian – Piracy is yesterday’s worry for today’s ‘artisan authors’

    Interesting to see more of these types of articles in recent months. It seems that not just ebooks, but self-publishing itself is attracting mainstream attention and is now being seen as a valid form of publishing, not just a digital extension of ‘vanity publishing’. Not good news for the big old publishing houses.

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